Trite Little Coffee Cups

 The cliche', that little expression that has been used so much that it has become trite, is like a rash, or irritant, to most writers.  Even readers flinch when they come across them.  The corporate world is quite adept at creating cliche's at a rapid rate.  Of course, they like to call them catch phrases, or call's to action.

Isn't "call to action" somewhat of a cliche' at this point?

Let's talk about the coffee cup.  Bear with me, this will all tie together in the end.

Historically, coffee and coffeehouses represented a space for free exchange of ideas, linking coffee to intellect, creativity, and revolutionary thought.  It often symbolizes shared moments and intimacy between people.  

Years ago, in the world of YouTube, the popular shot was that of the creator holding coffee, usually in a Starbucks cup, occasionally in the traditional vessel.  The camera focused on the coffee as the holder traveled from one point to the other.  The cup represented that creativity and intimacy the creator of the video desired to convey.  YouTube creators used this shot a lot.  I mean, a lot.

That shot has fallen to the wayside.  Now, however, if you peruse the rabbit hole of YouTube, you will often find a coffee cup in the shot, almost like an easter egg.  Really, the coffee cup has become a character in many of these videos.  Booktubers often have a cup in hand while they convey their thoughts, or at the very least, sitting somewhere within the camera's field of view.

This isn't just monopolized by Booktubers, though.  You will see the famous symbol of intellect in videos that discuss creative concepts of a variety of topics, and videos where someone of some self-declared expertise is conveying a greater knowledge of gadgets and whosiwhatsits.

One of my favorites are the videos of a politician, whom I forget the name, is in shot holding a cup of some mysterious liquid just inches from his mouth while he conveys obvious words of wisdom.  When he has finished enlightening the world, he quips something often snarky, raises an eyebrow, and pretends to drink.  Often the coffee cup has a really meaningful quote sprawled across it (insert sarcasm font here).

All of this has turned the coffee cup into a cliche' on YouTube.  It's presence no longer represents what it once did.  It is overused to the point that it has become trite.

In some cases, it's presence makes the presenter appear pretentious.

Late Again

November 17 is the new release date for the second book in the Drums of Rallinwar series.

Three months later than I anticipated.

Why?

I’ll begin by stating this book was destined to be behind schedule without any outside influences.  The editing process is far more intense than it was for Blood of Two.  So much so, I would like to revisit Blood and put it through the same strainer.  I feel as though this book is better written and you, as the reader, will see that.  While some of the improvement can be attributed to my learning of the craft, most of the improvements are a result of my enhanced editing schedule.

To say this year has been eventful would be an understatement.  In May, three tornadoes tore through my life.  Friends and family lost their homes, and insignificant in comparison, we lost a good portion of our fence.  Not only did those three events take me away from the book physically, helping with the cleanup, but mentally I just couldn’t focus.  You can’t live in Oklahoma and not know somebody who has lost something to Mother Nature, but even then you can’t prepare for when it impacts your life.  That sh*t sticks with you, and the impact it had on me is minor in comparison.

Those three events (three days) set the book back 30-45 days.  Add in a few everyday squirrels and the August release day was not achievable if I wanted to put forth my best effort.

So where am I now?

In one of my earlier posts I outlined the editing process I set in place.  I am in the middle of steps 4 and 5 (of 7).  The initial copy edits for the first half of the book were completed a few weeks ago, and that portion of the book passed off to the evil editors.  One of those editors is done; the other two are about half way through.

I completed the checklist edits (step 3) for the second half of the book this last weekend and am now in the middle of the copy edits for that portion.  I hope to complete that part this weekend and then forward the second half of the book on to my editors.

Monday I expect to begin step 6 (appeasing the evil editors), and from what I have seen to this point, I will catch up with the editors (who are in step 5) rather soon.  When they finish up with part two of the book, and I complete my portion, I will make one last pass with the copy edits.

I am not sure where Lucky is with the cover art, but you can expect another beautiful cover that continues the theme begun with Blood of Two.  I also need to print off a map so that he can paint one up for me.

I’m excited to finish this project.  I will take a short (very short) break, and then drum up Book Three.  At the moment, it appears the series will be completed with the third book, which would basically make it the cliché fantasy trilogy.

Beyond that; I have the beginnings of a story about a man from Saimus’ home country.  It will likely be a stand-alone novel.

I am also still sitting on a short story I promised earlier (which I have the cover-art for), but I have been so focused on the book, it has just been gathering dust.  If there’s a chance before November 17, I will brush it up and publish it.

And of course, I still need a title for Book Two.

Anyway, that is where I’m at.  I apologize for the delay.  I let things interfere with my productivity and it will probably happen again.  Tis the life of a writer who has a day job.

I, Am a Writer

Bonus points to those who caught the movie reference in the title.

Over the last couple of years I have found myself amused at the similarities between the reader and the writer.  We both want a good story.  We cheer the good guy, jeer the bad guy.  Sometimes we even find ourselves wanting to find some nugget of good in the bad.  And the similarities carry on and on.

I often tell people I write what the people in my head tell me to write.  Other writers understand the premise, my wife and many readers fear I am mildly insane.  Yes, I am.  My characters have to have some semblance of "real" to them in order for them to come across as believable in the readers eyes.

So, as I write, though I have the rough story in mind, the characters guide the story.  They do things as they would do them, not as I would want them to do.  Many times their reactions surprise me and toss the storyline from its straight line.  In essence, the story unfolds for myself, as a writer, in much the same manner that it unfolds for you, the reader.

When it comes to the end of the book, I feel much the same anticipation as you do.  How will this end?  What happens next?  It always seems the last few chapters of a good book holds my attention the most asss I read them, and it does much the same as I write.  I experienced this when I wrapped up the rough draft of Blood of Two and I am experiencing the same feeling as I roll to the finish with the follow-up.

It's not just the excitement of completing this phase of the project, but it is the story.  I have an idea of how this book ends, much like I do when I read Stephen King or John Grisham.  I may have an idea, but I want to know.  What will these characters do when they are faced with these events?  You would think I know, but I do not.  This is one of the reasons I find writing so exhilarating.  I get to experience those same emotions I have as a reader, and I am writing the darn story!

I only hope that one day my skills reach the level that I can spend my time living these stories without the intrusion of a real job.

Quick update on the progress of Drums of Rallinwar - Book Two:

A stormy spring interrupted what I had going.  It wasn't just the cleanup alone, but my mind was on more important things.  The tornadoes had a devastating impact on friends and family.  If I wasn't helping with the cleanup, I was thinking about it.  Honestly, the book had fallen down the list of priorities.

Things are still not as they should be, and likely will never be.  Even as I type this I yearn for things to return to some sort of normal.  However, the last week I have been able to set aside a substantial amount of time for the project, and my mind has been on the task.  The progress has been amazing.  My wife has been amazing for allowing me to lock myself away for hours at a time.

I anticipate the completion of the brain purge within the next few days.  With that said, there is still a long road of editing ahead.  I have told you before, I will not release a substandard product to meet a deadline.  I will put every effort into making Book Two better than the first.

Look for the new title in November.  I will keep you updated.  And most of all, thank you for your understanding.

Anybody Want A Peanut?

Some conversations just stick with you, and often, when the conversation is over and you’ve had a few days to digest it, you think of that thing you should have said.  In this case, it was one of those things that needed to be said, but was left better unsaid; unless of course your goal is to hurt feelings.

As with most people, writers seek out those inspiring quotes from those who have been successful in our field.  These quotes are often motivating, or enlightening, some of us turn them into words to live by.

                                   “The first draft of anything is ****” – Ernest Hemingway

I love that quote, because regardless of how great you feel about that brain purge, well, Hemingway said it best.  I’m pretty sure it was a direct quote, though I have failed in finding the source of the interview and where he put it into print.  Too lazy to pursue it any further, especially since this is a well known quote of his…

There is a problem with these quotes.  Many times, like a quoted bible verse, the quote is taken out of context and the meaning is twisted and reformed into something that agrees with a belief we already hold.  This harkens back to one of my other mantra’s “Research, research, research.”

During the conversation the other day, one of the individuals involved quoted Lewis Carroll.  Taken at face value, this quote bothered me.  It seemed incomplete, and, well, wrong.

             “Begin at the beginning and go on till you come to the end: then stop” – Lewis Carroll

This quote has the aura of being profound, so it must be good.  Right?  The person who used this quote is an aspiring writer, and they strongly believe in those words, because Lewis Carroll said them.  If an accomplished writer said those words, they have to be true.

                  “I could tell you my adventures – beginning from this morning, but it’s no use going back to yesterday, because I was a different person then.” – Lewis Carroll

Taken at face value, this quote appears to be in conflict of the first quote.  But, according to the presentation, this quote is something Lewis Carroll said.  Again, if an accomplished writer said those words, they have to be true.

Let’s take a gander of other “quotes” from established authors.  Feel free to pass judgment, since that is what we have done with the two quotes from Lewis Carroll.

                        “You probably mean well, but handing these people food is the worst thing you could do for them.” – Brandon Sanderson

                          “There are lots of guys out there who write a better prose line than I do and who have a better understanding of what people are really like and what humanity is supposed to mean – hell, I know that.” – Stephen King

                           “I am a disappointed drudge, sir.  I care for no man on earth, and no man on earth cares for me.” – Charles Dickens

                           “Many that live deserve death.” – J.R.R. Tolkien

                           “If you’re in trouble, or hurt or need – go to the poor people.  They’re the only ones that’ll help – the only ones.” – John Steinbeck

Interesting quotes, to say the least.  If we take them at face value, as the aspiring writer has taken the Carroll quote, we come to some bothersome conclusions.  Sanderson is selfish, King is humble, Dickens had no friends, Tolkien and Steinbeck were cynics.

Every quote on this post has one thing in common:  They were pulled from works of fiction.  They didn’t come from an interview, nor were they quoted from books about writing, all of them came from works of fiction:  Alice’s Adventures in Wonderland, Elantris, Misery, A Tale of Two Cities, The Fellowship of the Ring, and The Grapes of Wrath.

I know.  The argument is that the writer’s thoughts are often brought out in their works.  So, the first Lewis Carroll quote is how he feels about writing.  Okay, I can accept that.  As long as you can accept that Brandon Sanderson believes feeding people who can’t feed themselves is the worst thing you can do for them.  I can accept your blind devotion to that single quote as long as you hold that same devotion for EVERY phrase in that book.

I write words that would never come out of my mouth.  My characters say things that make me cringe.  Now, I could be pompous enough to believe I am the only one, but the truth of the matter is; when a character says something in a book, it does not always reflect the author’s beliefs.  I find it difficult to believe someone would be naïve enough to think otherwise.  But, if you are using a quote from a work of fiction as your mantra on how to write a story, well, that’s a tad bit on the naïve side.

On the other hand, if you just like something a character said and you want to use it as your mantra, then by all means, use it.  Just credit the character.  Don’t put words in the author’s mouth.

“And I mean it.”

“Anybody want a peanut?”

In the Beginning

I suppose my latest theme on this blog has been opinions on writing.  Sometimes I feel a bit pretentious offering up these opinions, and someday I may find myself disagreeing with what I write today, but keep in mind these are just the mere opinions of an old man still perfecting his craft.

I was a part of an interesting discussion this week and it involved where to begin when writing a story.  In the writing world, we call this the Point of Attack.  In a world filled with expectations of instant gratification, Point of Attack is extremely important.  I guess it goes without saying (yet I'll say it anyway), it hasn't always been this way.

One of the traps that we fall into, as writers, is trying to emulate successful stories of the past, but when you do so with tunnel vision you may be setting yourself up for failure.  Would Moby Dick even make it to print in today's environment?  Would The Hobbit take so long to get off the ground?  In my opinion, no.

We are programmed to believe Moby Dick and The Hobbit are wonderful tales that must be read, so we suffer through what we would now consider shortcomings in an effort to find that wonderful tale.  If either tale was published, as they are, next week, they would fall off into obscurity.  Not because they are bad stories, but because they aren't written to match up with today's expectations.

So, as writers, we can't pick up a book written before our parents were born, copy the formula, and expect the same results.  No matter how good our tale may be.

Which brings me back to the Point of Attack.

Some people say you must engage the reader within the first five pages, others say the first five sentences, and they may both be right, so it behooves me, as a writer, to start the story off in an engaging manner.  We want to share with the readers every aspect of our characters.  We want them to see where they came from and why they are who they are today.  But, if we begin a story with the birth of our character, we may lose the reader in those first five pages and never get to share the growth of the character with them.

You can share all there is to share and still engage the reader.  Begin your story with some conflict, and sprinkle in the past along the way.  Probably not in flashbacks, as they are often overused, but a couple of sentences can say a lot.

"Ole Joe knows hospitals better than anyone in this room.  What with that cancer he had as a child."

You don't even know Joe, but your imagination just painted a picture of his childhood.

When I say to begin a story with conflict, don't take that to mean you must begin with an epic fantasy battle or the like.  A simple conflict will do.  Think about an opening chapter where Joe is panicking because he forgot to pay the water bill and it's cutoff day.  Zipping through traffic to get to the utilities office before noon.  Worried about his wife's reaction.  Hoping the check doesn't bounce.  This is real world situation that could very well connect with your reader.  They find themselves wanting to know if he gets the bill paid on time.  How much more mundane can you get?  But, this is conflict in the writing world.  And, as an added bonus, it is something the reader can connect with.

So when someone tells you to start the story at the beginning, keep in mind the beginning of the story may not be the beginning of your character's story.  If we did that, The Hobbit would have began "There once was a hobbit born in the Shire."

Imagery

It has been a typical Oklahoma spring around here.  Thunderstorms, tornadoes, and the chaos that surrounds them has been ongoing for a few weeks.  As with most Oklahomans, I have spent my days dealing with the aftermath of Mother Nature's fury, and my evenings staring at the television screen and hoping the next twister finds empty fields.

Somewhere along the way, Summer sneaked in through the back door.

I know, officially it is not Summer, but Mother Nature isn't much for schedules.  I stepped outside yesterday morning to take care of some yard work and broke into a sweat before the mower hummed to life.  So, now we shift gears into a typical Oklahoma summer; hot, humid, and windy till the sun goes down, and then the wind will sometimes calm where you're left with just plain old hot and humid.

While I'm sitting in front of the television with the AC blowing full bore and a tall glass of lemonade in my hand, an Oklahoma Tourism commercial comes across the screen.  The scenes are inviting and made me yearn to load up the camper and find some of those beautiful corners of the state.  Then it hit me; those images on the screen felt inviting, by design, but they lacked an element of truth.  They were all missing the people gathered beneath a shade tree with drinks that used to have ice in them, holding them to their foreheads while fanning themselves with the other hand.  They also missed the constant drone of cicada's in the background.

This brought to mind imagery in my writing.  Most author's know that part of bringing the reader into the story is utilizing the senses.  Most of the time we rely on sight, but there is more to story-telling than painting a picture, though we can use that image to project other impacts on our senses.

The ceiling fan creaked with every rotation and once again Jonus wrote down oil on his mental list of things to do.  It would have to wait.  He leaned back in the chair and wiped the moisture from his brow with an already damp kitchen towel.  The smell of coconut oil told him Thea was escaping to the pool before he saw her prance across the room in her new two-piece she had paid far too much for.  He unbuttoned his shirt and felt the breeze on his soaked skin.


Feeling warm?  Passages like that help bring the reader into the story, and take note that the word heat was never used.  There is something about sound of a creaking ceiling fan, or the smell of coconut oil that brings summer to mind.

To me, Steinbeck was a master of imagery.  Pick up any of his stories and you'll have an urge to sit in front of a fan, or snuggle up to the fireplace.  One day, I hope to be that good.

So unless you are selling vacations in a hot and humid state, don't forget imagery.  Utilizing senses other than sight alone will help bring readers into your world.
 

The Most Intelligent Orc in the World

This title has been available for a week or so, but I was waiting until it hit most of the markets before I announced it.  As opposed to giving daily updates on its availability.

It's a freebie, and another installment in my Tales From Nilrus project.  Princess Elanya is in this story again, as well as Malik, Prince Eldric, Qa'Veck, and General Grunsch.  I enjoyed writing it, and I hope you enjoy reading it.

Here are a few links:

Smashwords

Barnes and Noble

iTunes

Diesel eBookstore

KOBO

Sony eBookstore - this link is to my author page as they do not have this story yet.

Progress on book two for the Drums of Rallinwar series is going well.  I hope to complete the brain purge (rough draft) within the next couple of weeks.  Full bore editing will begin in June, with a target publishing date somewhere in September.

Nothing In Particular

Really, I have nothing in particular to say.

2013 looks to be a promising year.  At least I hope so; there is a lot on my imaginary plate.
Somewhere over the next few days I intend to publish my next freebie, Diplomat Elanya.  I posted the raw cover art on the Facebook page if you want a peek.  I like the impact these freebies have, so you can expect me to continue.  I expect to release at least two more before book two launches.

Speaking of book two...  Wow.  One of the story lines took an odd turn and I blame it all the characters.  They just can't stick with an outline.  It may lengthen the story a bit, and change up how I originally intended, but with any sort of luck (and time), the book should be ready by August/September.  However, this time I really need to put something extra in the edits.

Editing...phew.  Look, I know Blood of Two had some issues (my wife told me so).  I haven't looked back since I published the book, but I am now having a change of heart.  At some point, you can expect a revision, not to the storyline, but more to address grammar issues.  I am sure there are more issues than I think, but I still want to tighten it up and provide my readers with the best quality.  This will likely happen around the release of book two.

Beyond book two, you can expect more short story freebies.  I do anticipate packaging the shorts at some undetermined point (maybe after 10 or 15 of them) and selling a hard copy of the collection.  Not for the money, (I make very little off paperback copies), but just to tie them all in a pretty package.

Beyond that, of course, is another book.  I'm liking this writing thing.

A Question of Money

A common misconception I have heard/read on several occasions is that epic storylines (longer than the traditional trilogy) are all about the money.  You know, I could be a bit naive about this, but I will have to strongly disagree.

23 years and 14 books long, Robert Jordan's Wheel of Time series was wrapped up last week.  For those who have read the books, we know the length of the story was in large part due to Jordan's penchant for foreshadowing.  Chapters of non-consequential scenes littered the series, but those scenes were used to set up things that often didn't happen until two or three books later.

Millions of people enjoyed his writing style.  Millions of people, not two or three friends at work, but millions of people around the world.  I enjoyed his style, my wife doesn't care for it.  His writing style and the breadth of the story contributed to the length of the series.  Did I mention that millions of people liked it?

Money was not the bottom line.

Jordan had a story to tell, and if he was anything like myself, he wasn't going to cut it short just to meet some arbitrary number of acceptable books.  Sure, there were ways to crop the story; cut down on the characters (which he had aplenty), don't tell the readers about the sub-plots that contribute to the final page, knock it off with the foreshadowing, etc.  Jordan stuck to his guns and told the story HE wanted to tell and the story the READERS wanted to read.

My Drums of Rallinwar story is being told in the same manner.  I am telling you the story that I want to tell, and I hope the you want to read.  Granted, my story isn't fourteen volumes.  My story may only last three books, or it may go four books, but there is no number that I am tied to.  The story will end when it chooses to end.  Money has absolutely no bearing on the length of the tale.  I have other stories to tell.

While I'm rambling on, keep in mind that some author's tire of their stories and want to wrap them up.  Some have wrapped them up despite the cries for more from their readers.  Aren't they losing money by not continuing the story?

Just because your world revolves around the money that other people make, does not mean that their world revolves around your desires.

Here you go, shameless plug:  BUY MY BOOK!  Blood of Two: Book One in the Drums of Rallinwar series.  Available where you buy your ebooks and you can even find it in paperback on Amazon (do a search for C. Hollis Gunter).  Buy it, rate it, review it, and if nothing else, I hope you enjoy it.  However long the series is.

Characters v. Outline

One topic that makes its rounds a couple of times a year on workshop forums is the outline.  Some writer's will create an outline for their story, a hiking trail if you will, while other's preach the evil's of such organization.  Reader's would likely be surprised about the arguments that ensue among authors about this singular tool.  I have even listened to lectures where the speaker claims that a novel sans outline is destined for failure.

To both arguments, I say whatever.

After my novels have been written in my head, an outline is created.  By no stretch of the imagination is the outline a concrete entity.  It can't be, at least for my writing style.  It's begins as a basic outline; a beginning, the outhouse orcs, and an end.  As developement progresses, the outline maps out each chapter in a general sense.  But, like any map, there are places along the road that just aren't shown and you discover them along the way.  And don't forget the occasional flat tire and blown fuel pump that can cause a delay in your journey.

Then there are those lousy, good-for-nothing, disobeying, free-will, hateful, outline trashing characters.

With my writing style, no outline is impervious to character intervention.  Aeldon, a character from the Drums of Rallinwar series, begins as a not-so-bad prince.  His qualities bring you to hate him and love him.  You want this guy to grow out of his hatred and become the good man that he is quite capable of becoming.  The outline for the follow-up to Blood of Two has Aeldon growing closer to the man we all want him to be.  The dirtbag just doesn't want to do it.

As much as I prod and pull him toward his good side, he resists.  He'll launch an inkpot across the room, punch someone in the face, and preach the virtues of keeping the elves and dwarves in their place.  There are times when I look up from the keyboard, I expect to see an inkstain on the wall, or on my outlline.

With almost every scene a character will bring cause to alter the outline.  An encounter in a city is scrubbed because somebody decides it's too dangerous to venture into it.  Another chapter has to be added because a character decides that someone needs to be thrown into the dungeon.

My outlines are organic.  They change as the manuscript is written and all of the changes are due to character's decisions.  In the war between characters and outlines, it is a stalemate.  Neither wins, they both adjust.

Shameless plug:  Blood of Two: Book One in the Drums of Rallinwar series by C. Hollis Gunter is available at most e-book outlets such as: Amazon, Barnes and Noble, iBooks, smashwords, Sony ebook store, Kobo books, and Diesel ebooks.  You can find the book by searching on their sites for Blood of Two, or C. Hollis Gunter.  Buy it, read it, rate it, review it.

Looking Back

2012 is winding down and instead of waiting around for its grand exit, I figured I would take a look back at the year now.  And what a year it was.

In January I was sitting on a completed rough draft of Blood of Two feeling a bit discouraged.  I had shelved the manuscript because it was the first of many in that story line, which is not an easy sell for a first time author.  Don't take that wrong; I don't walk away from difficulty, but from what I understood it was such a hard sell that it would be counter-productive.  So, Blood was shelved and work was underway on a stand alone novel .

Progress on Condr (the stand-alone novel) was labored, which is why I felt discouraged.  It is, without a doubt, a story that will get written, but it now sits on the shelf where Blood of Two once resided.

In May I purchased a cheap book for my Kindle.  The story was engaging, though the prose was littered with errors.  Even some of the phrases used had no business in a fantasy setting.  I was quite surprised to find that the author was an Indie.  No publisher had gotten their hands on the manuscript (and it showed), but it was selling.  Thus began my travels down a road that has really changed my life.

I began in earnest to edit Blood of Two, with a little help from my friends.  A breath of life had permeated my writing and the obsession has yet to subside.  In August I published Blood of Two and in September I began its follow-up.

Sales have been as expected, which is honestly unimpressive to the outsider looking in.  For those in the industry, which I am now a part of, my sales are considered average.  Again, sales of Blood of Two are going as expected.  I have sold more books than I have friends, and have gotten positive feedback from people that I have never met.  All things considered, life is good.

Since Blood of Two went on sale my writing life has been divided between actual writing, marketing research, and marketing.  Busy is the word.  I work, then I come home and write.  Life is good and life is different.

As 2012 winds down I find that I am now a writer.  I am a published author.  Strangers have seen what bounces around in my head and they approve.  On one hand this is surreal, on the other I can't help but think 'It's about damn time'.

As I move into 2013 my goals circulate through the veins of writing.  I have a short story about Celeste that I intend on releasing as a freebie.  I have two others about Princess Elanya, one of them a bit more light-hearted than most of my writing, and another story about Jaron Senith's nephew, Alik, who is shaping up to become a player in the Drums of Rallinwar storyline.  And, of course, the follow-up to Blood of Two is in the works.

Looking back, 2012 wasn't busy at all.  At least not compared to 2013.

The Word Count Trap

I took years to write Blood of Two.  What was the hurry?  I have a well paying job that I enjoy; writing was a hobby.  Now, I have a deadline for the follow-up (self-imposed as it is), and writing has transformed from hobby to second job (that I love).

In order to meet my deadline I should probably have a goal of where I should be at certain time; rough draft done by a certain date, first edit done by another date, etc.  Well, I don't.  Kinda.  Sorta.  Okay, I have a rough idea of where I need to be.  For example, by May I need to be working with editors on the almost finished manuscript.  By the end of July I need to be wrapping it all up in a pretty bow, and by August I should be publishing it.  Really, really, loose goals that some writer's would cringe at, while others would be like "That's about right."

In the writing world there is a lot of discussion about word count production.  Two thousand words a day!  You have to write at least two thousand words a day.  I stick my tongue out in your general direction.

I work a sixty hour week.  According to some studys, I should be getting about 56 hours of sleep a week.  Which leaves behind 52 waking hours I am not at work.  Take those hours and subtract a little thing called life.  Unclogging a drain, paying that guy named Bill, fetching groceries, eating said groceries, actually speaking with that other person who has tolerated you and your fantasy world for 25 years, and finally just a few hours of kicking back and enjoying what you have worked for.  Not much left over for a second career in writing.

I spend anywhere from seven to fifteen hours a week on writing.  Don't make the mistake in thinking that all of those hours are spent typing the next book.  I have to sell what I have already written, so a significant amount of time is spent in the marketing arena.  Then there is research, which just baffles me; I write fantasy because I'm too lazy to do research, yet I find myself looking up things like the anatomy of a sword...  And of course, there is other prep work involved with the new novel.  Maps to be drawn up, new characters to be fleshed out, etc.  All told, I probably spend around seven hours a week actually writing the book.

So word production should be a primary goal, right?  Wrong.  Granted, my initial brain purge is crap when compared to the finished product, but if I focus on that word count on the bottom left of the screen, then my focus is not where it should be.  My focus is creating an engaging story.  If you are focused on word count, then the story could very well suffer.

This is not to say that I don't track my progress by word count.  Every night, just before I close the laptop, I will write down the word count of the novel.  Sometimes I look at that notebook page and think "Damn, did pretty good last week."  I like to see that number get larger on a daily basis; it means I am moving ahead.  The number of words I write each night fluctuates between 900 and 3000.  I am happy with either number (though admittedly ecstatic with 3000).

Of course, I work in the Quality department at my regular job, so quality before quantity is embedded in my being.  Just don't get caught up in that word count trap.  If you have a smile on your face when you finish up for the evening, then I think that alone is worth 2000 words.

Shameless plug:  Blood of Two, Book One in the Drums of Rallinwar series by C. Hollis Gunter is available where e-books are sold.  Check it out at outlets such as Amazon, Barnes and Noble, Sony, Deisel, and Smashwords.  Read it, rate it, review it.

Sometimes it just works

Since the release of Blood of Two in August, I have had conversations with readers (some friends/family, some not).  To my pleasant surprise, some elements of my story worked how I wanted them to.

When I created Tarimot, he was to be the comic relief, but he didn't agree.  He became more of the advisor to the group and not so much funny, though he does have his moments.  But, one of the things that I used to round him out was his speech pattern.  I actually have a file called Tarimots cadence that I revisit from time to time just to make sure I write his dialog correctly.  In my mind, this wasn't really a big thing, but many of the readers picked up on this and were complementary of it.  I was told by one reader that he felt like I could write a paragraph of Tarimot's dialog, and it would be apparent that he was the speaker without the use of a speaker attribute.  If I could pull this off with all of my characters, I would be ecstatic.

Blood of Two had its share of unexpected events, at least I hoped it did when I was writing them.  Again, I was happy to find out that they worked as I wanted.  One character was expected to go off the deep end, but most of the readers didn't expect the degree of the dive.  There were a couple of deaths in the book, and one in particular that made a reader or two really ticked at the author (mission accomplished).  I wanted to create characters that got the reader hooked, and for the most part I succeeded.

One death scene received the greatest complement I could hear.  The reader told me that the emotion and reactions of the characters around this one death was so spot on that he assumed that I had suffered the same loss.  I was so taken aback that I failed to tell him that I hadn't.

And finally, there was the end of the book.  I agonized over it for months.  It still bothers me from time to time.  It came across as so damned altruistic, but the readers liked it.  That's what counts in this business of sharing the imagination.

The point of this post?  I once read, in one of my many writing books, that if you are particularly proud of a scene, or phrase, get rid of it.  Balderdash.  If after a few edits, you are still proud of it, then it must be good.  I have several readers that will back me up on this one.

Sometimes, it just works.

Shameless plug:
Blood of Two (Drums of Rallinwar: Book One) is available at most e-book outlets.  Check it out at Barnes and Noble, Amazon, Diesel, Smashwords, and other electronic retailers.  Buy it, rate it, review it.

Idealism

1. belief in perfection: belief in and pursuit of perfection as an attainable goal


"youthful idealism"

2. living by high ideals: aspiring to or living in accordance with high standards or principles

3. belief that material things are imaginary: the philosophical belief that material things do not exist independently but only as constructions in the mind

In my mind, one of the catalysts to progress is Idealism, or "belief in perfection".  We see something that can be improved, or performed in a more productive manner and we pursue a goal of perfecting the process or thing.  I love it.  Idealism drives a lot of what I do at work and at home.  To some extent, Idealism has driven me to write fantasy that does not conform to the cliche's or formulae that have been prevelant in this genre.
 
Idealism rocks.
  
However...   It is one thing to be idealistic, and quite another to be condescending.
 
Idealistic does not necessarily mean "better".  In some cases your pursuit of perfection may lead you down a less productive road.  In many cases, your pursuit has been tried and been written off as counter-productive.
 
We see this in all walks of life.  Take my path of publishing, often referred to as Indie Publishing.  At some point in time, Indie Publishing (not to be confused with Vanity Publishing) was an idealistic pursuit.  Not a better pursuit, just idealistic.  In a broad sense, it was actually not a new idea, considering Vanity Publishing has been around for a long, long time.  In a narrower sense, Indie Publishing is idealistic.  E-Readers and the potential audience (by far greater than the old Vanity route) has created this idealism.  But it is not better than traditional publishing, just different.

At work, you may be flooded with a new method of reaching point 'x'.  Idealism at work.  Is it better than the traditional method?  

Maybe it's raising a child.  Idealistic methods of child rearing have been around forever.  As mentioned before, this is how we progress.  Are these methods better?  

The better mouse trap?  

Methods of lawn care?  

Washing a car?  

Idealism is great.  Just be careful how you present it.  Idealism can quickly become freak hippy voodoo, expecially if you choose to be condescending to those who don't share your methods of progress.   After all, who is smarter?  The one who believes their way is the best way, or the one looks at many methods and decides which one works best for them?  

Now, how about we tie that into a character or two in story.  A character who is idealistic, yet narrow-minded and condescending.  A character who is idealistic, yet constantly get distracted by bigger and better ideas.  A character who is idealistic, but is appreciative of those who choose to do things differently than them.   Characters abound.  We just witnessed a few examples of idealists pursuing several different government offices.  And there were more than one or two that were viewed as freak, voodoo hippies.

Shameless Plug: Blood of Two (Drums of Rallinwar Book One) by C. Hollis Gunter is available through most electronic book outlets including: Amazon, Barnes and Noble, ibooks, and Smashwords.  Buy it.  Rate it.  Review it.

Character Creation

In this ultr-political season my cynicism is at an explosive level, so I have opted not to subject you to my thoughts on liars and the morally reprehensible running for office...

I have been plugging away at book two in the Drums of Rallinwar series.  The process is slow going, not because of the story, but because of the characters that must be created.  You see, I have an issue with just slapping a name and description into the text and moving on; every character in my books has a story.

Leandros Coth plays a larger role in Book Two and when it came to writing his first scene I had two new characters to introduce.  The first character is his right hand man, Enicks.  The second is his lover/girlfriend/housekeeper.  Before I could introduce these characters I had to write up a sketch for each of them.  All of my character sketches are of the same format and provide specific information for them.  As you have most likely guessed, the information includes: name, height, age, build (or weight), but there is other important information that helps me flesh out these characters.

I include their family, not always names, but what family members they have; mother, father, wife, children, etc.  This helps in how they interact with other characters.  Think about it.  If you have children, you look at friends that don't just a little differently.  If you are unmarried, your married friends treat you a little differently.  What family you have, and who they are (or were), has an impact on your personality.  Like it or not.

I include a brief history of the character, which often leads to a short story to write when time permits.  This also provides a little insight to the character's personality.  In the case of Tandy Aramel (a new character in book two), her family was murdered by soldiers.  It is only natural that she mistrusts military.

The last item on a character dossier, and possibly the most important, is there desires.  What does this character want?  What a character wants often drives their decisions.  In the case of Enicks, he wants nothing more than to please his boss, Leandros.  Why?  Because Leandros is a rich business man with no known heirs.  In Enicks mind, if he serves Leandros to perfection he just might get a cut of his wealth with the man kicks over.

As I mentioned before, a lot of times these sketches lead to a story outside of the book.  I have written several shorts that involved many of my characters.  It's a nice distraction, and it also helps me to understand who these characters are.

Of course, it is my hope that this creation process makes the characters real for you, the reader.

Shameless plug:
If you haven't picked it up yet, Blood of Two by C. Hollis Gunter is available in electronic format at most e-book retailers.  A paperback copy can also be found at Amazon.
The ebook is cheap, only $2.99.  Pick it up, read it, and let me know what you think.

Characters do the Darndest Things

I get asked a couple of standard questions by those who have read Blood of Two.

What will happen to (insert character name here) in the second book?
How many books will encompass Drums of Rallinwar?

Both of these questions can only be answered by the characters.  Sorry, I have little to no input here.  I know it sounds a bit looney, but it is true.

When I sit down to write, I have an idea of what scenes I will be writing that day.  This usually goes hand in hand with a (loose) outline of the book.  That is as far as I can plan, because more often than not, the characters have their own ideas of what needs to happen.

Each character has their own personality.  While I may want Aeldon to sit back and take insolence from one of the Keeper's; he has other ideas.  You can guess where he will take a scene, and it will usually end with a sore hand.  I can't force a character to do something that is a departure from their personality.  That is not to say that they never surprise me.

The first scene in the second book with Qa'Veck took me off guard.  It was a simple scene meant to show us his new duties.  His reaction to the changes in Dalthanalle was not what I expected, yet it fit with his character.  Unfortunately, his reaction doesn't fit with a future scene I had schemed for him.

So, you see, I know what I want to happen in book two, but the mystery remains as to what the characters will allow to happen.  The destination is clear, but they are the navigators for this journey, and some of the paths they choose make driving difficult.  Maybe difficult is a poor choice of words.  Exciting, interesting.  Definately different than I had planned.

C. Hollis Gunter
p.s.  I sign this post only to populate search engines...
p.s.s  But who is going to google my name...
p.s.s.s  Maybe I should also include:  author of Blood of Two...
p.s.s.s.s  Now who would google that?

Vacation is Over

Blood of Two was published some three weeks ago and I took some time off from writing.  Last week I took off from my real job.  Today; I am back.  Back and excited for what is to come.
This evening I will dive back into book two and the thoughts churning through my mind have me anxious to put them in print.  The people in my head have been quite active these past few weeks.

A large part of my excitement is the feedback I have received from Blood of Two.  To be honest, I didn't expect much, but a couple of reviews on Amazon, and some comments from people I know have been more than encouraging.  Sales have been what I expected, being a debut novel and I can feel this train gathering momentum as it chugs away from the station.

My target date for book two is August of 2013.  I would love to have it out sooner, but I am not going to force the process.  For myself, there are a lot of steps in the process of making a publishable novel and to skip those steps would be to create a substandard work.  I will not push out a book that isn't ready for the reader.

One thing that kept coming back to me these last three weeks:  I am a writer.  Of all the things that I have been labeled throughout my life, this title has its own special feeling.  It is something that I have wanted to be for a long, long time.  I am a husband, a father, a brother, a son, and soon to be a grandfather, all of which have significant meaning and a special place in my life, but now, I am also a writer.  My brother is a photographer, my son a musician, and me, well, I am a writer.  Damn that feels good.

Vacation is over.  Time for me to get back to being a writer.

Almost There

Currently, I am working on the (hopefully) final edit of my novel with only 37 days remaining until my self-imposed deadline.  This has been one heck of a ride, especially these last two months.

Many, many years ago this story took root in my imagination.  It took a few years more before I worked up the courage to put the story to paper, or computer screen.  On my way to that point I read several books about writing and even tossed in a class or two that helped me along the way.

I suppose what really kickstarted this journey was a creative writing class that I took in college.  I was encouraged by fellow students and the professor after a couple of short stories were critiqued in class.  The prologue to the book is actually based on a short I wrote for that class.

I began with several character sketches and shorts involving these characters.  It still amazes me how the characters took a life of their own as I wrote about them.  At the risk of sounding a bit off my rocker, the characters dictated to me how they responded to situations that I put them in.  Tarimot is one of those characters that I created who refused to fit the mold I had imagined.  He holds several of the traits that I gave him, but he refused to be the character that I wanted him to be.  He showed me who he was and though I didn't much care for it; he has become a better character than what I envisioned.

When I completed the second edit a couple of years ago, I began the search for a viable outlet.  In my research for agents, I found that my book was not likely going to get published in its current form.  You see, this story has always been a multiple book story.  It simply could not be compressed into a single novel, and believe me I tried.  After several failed attempts to end the story, yet leave it open for continuation, I gave up and began a stand alone book.

Condr is the main character of that book and the concept is another passion of mine.  I wanted to create a character that would return in other stand-alone novels in a serial type format.  The Adventures of sort of thing.  I suppose Indiana Jones would be the best example of the type of single story return characters.  As much as I wanted this to work out, my attention kept turning back to the original manuscript.

As documented in this blog, earlier this year I stumbled upon the catalyst for this new adventure.  Thus, in 37 days (or less) I will become an Independent Author.  In one sense, this is something that I never wanted to do.  I am, by default because of my age, of an old school frame of mind.  Self-publishing has always been the kiss of death for aspiring writers.  A lot has changed in the book world over the last few years.  The big six continue to charge too much for their e-books, which has opened the door wide for the independent author.  I know several Indie's who have been offered book deals after having pursued the independent route.  This was all but unheard of ten years ago.  So, no longer is the self-publishing route the kiss of death.  On the contrary, I believe it is fast becoming the norm and this belief, in my eyes, was substantiated by Terry Goodkind just a few weeks ago when he self-published his latest novel.

So, here I go.  In 37 days (or less), my writing career officially begins.  It has been a long ride of ups and downs, but I would buy a ticket for that ride again.  At this point, I am happy with manuscript's progress and I look forward to seeing what other's think of it.  But don't think that I will just sit back and wait; book two has already begun.

For now, I am almost there.

So, What Is It About?

So, what is this book about?  Sounds like a simple question in search of a simple answer.  Yeh, whatever.

I posted something on facebook a while back that actually sounded pretty darn good (if I say so myself), but it really wasn't a complete synopsis of the upcoming novel:

"Devon must help his mentor, the dwarf that raised him as his own, return to his fallen home, to die. Along the way Devon loses friends, finds out more about himself, and learns a surprising history behind his step-father. His life changes in unexpected ways, and in the end he braces for even more..."

I couldn't find the complete post (thank you Facebook), but you get the idea.  A young half-elf goes through the character arc, blah, blah, blah.

I suppose this is something that all authors have to face.  How do you write up a blurb that tells what the book is about and in turn, sells that book?  This portion of writing goes hand in hand with all the other aspects; it isn't as easy as it looks.  You have the idea, you know what you want to say, but you don't know how to say it.

So, again, what is this book about?

It is about a half-elf who faces some life-changing experiences.  It is about a dwarf who is going home to finish a job begun some forty years prior.  It is about an elf who comes face to face with his hatred.  It is about a prince who learns that his life has been built on a lie.  It is about another prince who has found that he has held himself back because of his inability to come to terms with a lost love.  It is about a princess who learns that people will lie to her to make her feel more secure.  It is about a kingdom built on hypocrisy.

It is about the ignorance of racism.

None of which will sell a book.  That initial facebook post may sell the book, but it also sells it short.  So, I basically have 45 days to drum up a paragraph that will sell the book AND give some idea about the many facets of this novel.  Again, nothing new.  All writers have to go through this.

I suppose the best practice is to know the answer to the question when somebody asks you what the book is about.  If you are writing a book; do you know the answer to that question?